Dance Relevance:
It's time to go beyond Bellydance! With the enormous explosion of dance enthusiasm in the USA, it is often forgotten where the origin of this phenomenon occurred. Many dancers today do not know the ethnic origin, cultural context, social implications or national varieties of the dances they are performing. Often the lyrical content of each song is also unknown by the dancer. Few dancers know the inner workings and systems of the musical compositions they choreograph and perform to. These factors cause a huge homogenization, resulting in the artistic displacement of the art form. This Seminar gives the dancer the tools and knowledge needed to be a more informed presenter, as well as a more skilled performer and teacher. The instructors are either native primary sources, highly schooled professionals who have lived in Arab countries, or both. They will help each dancer unite the soul, brain and body to create the true authentic dance.

Societal Relevance:
Arab culture has always been a fascination for Westerners. The Orientalist painters of the 17 and 18th centuries like Gerome and Delacroix were obsessed with the street market and household scenes of Arab lands. Currently, modern singers like Beyonce, Sting, Jay-Z and Shakira use the melodies and rhythms on their CDs and dance moves in their videos. Every major college and university teaches Arabic language, and has a Middle Eastern Studies department. But this fascination occurs with a simultaneous fear and paranoia. There is an ongoing media pre-occupation with the political and military turmoil in the Arab world. The Arabs have been designated as the antagonists in a proposed "clash of civilizations." There is no Arab in America that does not experience some type of political existence by default (even while simply dancing or singing). It is our belief that the study of dance and music can humanize the study of Arab culture and people. The enjoyment and cultural knowledge gained from the study and practice of human arts can dissolve the fictitious Arab-West dichotomy.





STUDENT PRAISE:
The Arab Dance Seminar was a fantastic experience. I felt that it caused a quantum leap in my understanding of the dance and the music, and made me a better dancer. There's no substitute for cultural context. This is the real deal!
- Leela Corman, NYC (student Fall 2007)

I attended Karim's Arab Dance Seminar in Nov 2006 in New Haven CT. I flew all the way from San Jose, CA to attend the seminar, and it was definitely worth the trip, the expense and more. I had already studied Egyptian dance with Nourhan Sharif for a few months, and had attended a very brief workshop with Karim in San Francisco, so I had a little background on the subject, but honestly I think I learned more in the 48 hours or so of that workshop than I had in about 8 years of studying "belly dance" in California with various relatively experienced & knowledgeable dance teachers. I found all of the seminar faculty extremely knowledgeable, talented, sincere, and inspiring. In fact I was so inspired by Kay Hardy Campbell's stories of the Saudi women's music ensembles and her own oud playing at the seminar that I came back to CA, found an oud and a local teacher, and have since joined an Arabic music class and ensemble, which I performed with for the first time this summer. I can honestly say my life has taken a whole new direction that it never would have otherwise, because of the contacts I made and the knowledge I gained at that seminar (I always remember the malfouf from Karim's rhythm class!). On top of that, it was great fun, every moment was interesting and mentally & physically challenging. The other students were very nice, interesting and intelligent people and I have stayed in touch with some of them since then. Honestly, I would go again to this year's seminar, but I've already used up all my vacation time for the year. If you are the slightest bit interested in the dance and music of the Arab world, by all means go and take advantage of this fabulous program!
- Suzanne Cuzio, Santa Cruz California (student Fall 2006)

I found it wonderful to be able to spend a weekend with a number of instructors that are so knowledgeable in their areas of teaching. The whole Arab Dance Seminar experience made me more excited about Arab dance and culture than I had ever been before. Its well-organized program allowed me to focus on specific topics which led to a deeper appreciation and knowledge about the art form and culture as well as recognize its great diversity. Most importantly, by being exposed to topics such as musicality, rhythms and language my interest was sparked so that since my Arab Dance Seminar experience I have continued to learn about these topics.
- Megan Kent, Saskatoon Canada (student Fall 2006 and Spring 2007)

I left Refreshed and Re-inspired! a truly unique worthwhile experience to gain knowledge and insight into the music and the dance and the culture behind it from well those that are immersed in it in an intimate setting. The team of instructors are impeccable and fascinating and the musicians wow!
- Yasmine, North Carolina (student Spring 2007)

I went to the Arabic Dance Seminar knowing it was going to be a great experience but it completely exceeded my expectations. It was fantastic to study with people who know and understand the roots of Arabic music and dance and who are able explain the cultural context. It was also an opportunity to study topics that are not commonly taught in other dance events like Maghrebi, Zaar or Beduin dances. Every teacher made an effort to explain not only the steps but the meaning, context and feeling of the dances being taught. It is certainly a unique opportunity to go back to the core of the dance forms we study and love so much.
- Andrea Novoa, Las Vegas (student Fall 2008)



The ARAB DANCE SEMINAR (November 5-7, 2010 session) is the first repeating event of its kind in America. All previous Seminars since November 2005 have sold out with maximum attendance. This is the first time the Seminar is being held in New York City. The goal of this intensive weekend of workshops, lectures, performances and dance parties is to give the student a comprehensive Arab cultural dance experience. Going beyond nebulous "Bellydance" or generic "Middle Eastern" categories, the Seminar puts all the skills, techniques and practices back into their cultural contexts. The Arab world, home of over 20 countries in 4 zones (North Africa, Egypt, Levant, and The Gulf) is the origin and breeding ground for multiple styles and practices with a common language and aesthetic. This Seminar helps clarify and illuminate that tradition.

The Arab Dance Seminar is created for people with a minimum of 2 years dance experience. The faculty seeks to give every student the authentic techniques, choreographies, and comprehension of Arab dance. Every dancer will take every workshop and lecture; there is no layered scheduling that forces the student to choose between classes. The Music classes will be taught using generic language that is understandable to non-musicians. The student will be provided with study sheets and recordings that reflect the curriculum. Every dancer will leave the Seminar with new routines to perform and teach, plus a responsible cultural understanding of the dance and music.

Although there is an academic and ethnographic emphasis, there are neither desks nor computer stations. The student will learn by dancing, moving, singing, clapping and sweating. It is an active seminar where the goal is to physically practice the subjects, and to retain new knowledge for future performances and teaching.



2010 Special focal topic:
The LANGUAGE of MOVEMENT, The MOVEMENT of LANGUAGE : How language and lyrics influence Dance in the Arab World.

The November 2010 Arab Dance Seminar will focus on the lyrics of every song that the students will dance to. Often ignored, or simply un-comprehended, the song lyric loses importance with the non-Arabic speaking dancer. The rhythm and melody take precedence, and the poetry and narrative are undervalued. This seminar seeks to re-establish the importance of the lyrical meaning, and poetic delivery of each song. Students will learn proper Arabic pronunciation, cadence, and meter for songs from all regions of the Arab world. The lyrics and complete translation of each studied song will be provided. The dances and choreographies will be taught with close reference to the words being danced to, and the meaning and intention of each song.


NOVEMBER 5th till 7th, 2010
FRIDAY 4pm till SUNDAY 4pm

Ripley-Grier Studios
520 8th Ave, New York
(212) 799-5433

ENTIRE SEMINAR (all classes and events) : $325


FRIDAY WORKSHOPS ONLY : $125
SATURDAY WORKSHOPS ONLY: $175
SUNDAY WORKSHOPS ONLY: $125

For any additional info, please contact Us at arabdanceseminar(at)gmail.com

schedule subject to adjustment
schedule FRIDAY SATURDAY SUNDAY
10am - - - - fallahi nourhan forum all teachers
11am - - - - sharqi nourhan n.africa amel
noon - - - - dabke karim egypt nourhan
1pm - - - - levant karim gulf kay
2pm - - - - lunch lunch concert
karim, taoufiq
3pm - - - - lecture all teachers zaar all teachers
4pm history all teachers berber amel - - - -
5pm rhythm karim maghrebi amel - - - -
6pm arabic taoufiq bedouin kay - - - -
7pm lyrics taoufiq khaligi kay - - - -
8pm music
karim, taoufiq, kay
evening event
all teachers
- - - -



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KARIM NAGI: Arabic Music, Rhythm, Maqam, Dabka, Seminar Organizer : www.karimnagi.com

Karim Nagi is a native Egyptian drummer, DJ, and folk dancer. He is the creator of Turbo Tabla, and has released two internationally distributed CDs of this unique brand of Arab House/Electronica using acoustic instruments. Karim has authored instructional DVDs for the Tabla/Doumbek and Riqq tambourine, as well as two rhythm compilation CDs. He is also well versed in the ultra-traditional styles of music and dance as the leader of the Sharq Arabic Music Ensemble, and the Arab Dance Seminar. Karim performs and teaches Tahteeb Cane Dance, Dabka Line Dance, and Zikr Sufi Dance. He taught at the New England Conservatory of Music for 5 years, and has lectured and presented at Harvard, MIT, Yale, Bowdoin, Princeton, Stanford, William & Mary, and several Community Colleges. He has recorded music for Bellydance Superstars, Bellyqueen, and the Bellytwins, as well as mainstream artists like Alicia Keys, and The Urban Griot Project. His performances boast a dynamic concoction of live drumming and dance, done in unison. Because of his proficiency in both music and dance, his workshops deliver students to a new physical understanding of the connection between these two disciplines. As a dance and drum teacher, Karim has taught in nearly all major bellydance festivals in the United States and Cairo, as well as all major Arab Culture festivals in the USA. Karim Nagi is a true crossover artist, uniting the Cabaret and Tribal, Traditional and the Modern, the Ethnic and the Urban.

*****

NOURHAN SHARIF: Raqs Sharqi and Egyptian Folklore : www.nourhansharif.com

With over 4 decades of training and experience in Egyptian/ Lebanese Cabaret & Folkloric Dance, Nourhan Sharif is a leading American Artist of Middle Eastern dance and music. Her skills are in demand around the world; She has taught and performed on nearly every continent!! Dedicated to the art of Raks Sharqi and to formulating her own expressive style and attributes exemplary of a fine educator and artist Ð Ms. Sharif has carefully chosen a serious course of study in Egyptian, Lebanese, Greek, Turkish and Flamenco idioms with the most respected teachers Ð most notably, intensive work in Egyptian style with her partner, the incomparable Yousry Sharif. Others with whom she has trained with include: Tayyar Akdeniz, Morwenna Assaf, Elena Lentini, Shadia Malouf, Mariano Parra, & Anahid Sofian! She has also taken workshops with the following Egyptian Born Artists: Denise Enan, Faten Salama, Lubna, Freiz, Tito Seif, Raqia Hassan, Mahmoud Reda, Sohair Zaki, Dina, Hassan Affifi, Aida Nour, Zaza Hassan, Ibrahim Akef, & Nadia Hamdi,!! Lebanese Artists Ibrahim Farrah, & Hassan Harfouche. Nourhan has studied ballet, modern dance, & most recently Tango & Cuban Salsa! Nourhan has had years of improvisational performance experience throughout the United States in cabarets as house dancer; theatre stages as guest artist; and as a featured dancer in workshop galas throughout the world. Performance highlights include Towne Hall (NYC); Rakassah (CA); Brown University (RI); "Shake and Bake Festival" (NM); The Nadia Hamdi Theatre Show (Fashion Institute of Technology, NYC); "Arts-in-the-Park" Weekend Festival (dancer/producer, Providence, RI); Mendicino Dance Camp (with Tayyar Akdeniz, CA); Rhode Island School of Design (RI); Festivals in Stockholm-Sweden, Helsinki-Finland, Copenhagen-Denmark, Melbourne-Australia, SharifÕs Annual Seminar Galas 1998- present (NYC).

*****

AMEL TAFSOUT: North African, Berber, and Bedouin : www.ameltafsout.com

Born in Algeria, AMEL TAFSOUT is an accomplished well respected Master Dancer and choreographer of North African MAGHREB DANCE, a dance anthropologist, a singer, a storyteller and a Language instructor. She has lectured, danced, taught, sung and conducted anthropological research all over the world. She performed in many European countries and the US. She lived in many European countries (France, Germany and the UK); she speaks four languages and has published articles in academic and popular magazines. She is the Director of "The Tafsoutettes", her dance company, formed in 2001. With her company Amel Tafsout aims to perform the dances of the Maghreb and other Arabic countries with skill and sincerity as well as to educate audiences about North African culture, most notably women's traditions and evolutions through dance, story telling but still retaining a sense of wit and sharing the spirit of celebration.

*****

KAY HARDY CAMPBELL: Khaligi, Gulf Dance and Music : www.kayhardycampbell.com

For more than 25 years, Kay has taught Gulf women's folkloric dance across the U.S. to women at dancer-sponsored events as well as at academic institutions including MIT, Agnes Scott College, and Wellesley College. Women of the Gulf perform these dances in groups to celebrate occasions such as weddings, school graduations and national holidays. The women traditionally perform their dances in pairs or in groups. Kay learned these folk arts from the women of Saudi Arabia when she lived there for several years. While Kay doesn't perform these dances in public, she has coached and choreographed group dances for professional performers including Boston's Near East Dance Theatre, Libana and the Jawaahir Dance Company. She has been the featured folkloric instructor at Oasis Dance Camp four times. Kay speaks, reads and writes Arabic, having a BA in Arabic and an MA in Middle Eastern Studies. She also plays the `ud and helps direct the Arabic Music Retreat. Kay's goal with her classes is to share the joyous aspects of Arabian women's traditional culture with women in the West by letting them experience it firsthand through music and dance.

*****

DR. TAOUFIQ BEN AMOR: Arabic Language Professor, Poetry and Song : www.taoufiqbenamor.com

Taoufiq Ben Amor is currently Professor of Arabic Language at Columbia University. He is an expert in classical Arabic language as well as the regional dialects of specific countries. He also has expended great energy studying the use of language within song lyrics and poetry. Taoufiq is a Tunisian vocalist, percussionist and oud player. He started learning percussion at an early age, then learned the Malouf (Andalusian repertoire) and sang with ensembles and choirs for many years. Twenty years ago, he began studying the oud and the Arabic maqam system with various teachers such as Mohamed Labbad, Jamal Aslan and Simon Shaheen. For the last fifteen years, Taoufiq has been an active performer in the US and Canada and played in various venues including the Joseph Papp Theater, Symphony Space, Cooper Union, the Knitting Factory as well as several campuses. He is involved in several projects including fusion with North Indian, Iranian and Spanish flamenco musicians. Taoufiq is also an educator, who does research and lectures on the subject and conducts workshops. He founded The Columbia Middle Eastern Music Ensemble and he produced the music series at the Alwan Center for The Arts in New York City 2002-2008. He is currently working on a book entitled The Making of Tradition: Music, Language and Identity in the Arab World.






For any additional info, please contact Us at arabdanceseminar(at)gmail.com